Tuesday, 16 November 2010

Laura Mulvey-Visual Pleasure And Narrative Cinema (1975)

Laura Mulvey theory on the 'male gaze' debates and investigates both 'Freudian' and 'Lacanian' theories of psychoanalysis she expresses that: 
  • Women are represented as sexual spectacle and objects of pleasure for the characters and audience.
  • Men have the gaze to avoid being 'castrated'.
  • Men fetish women in buying then overvalued and unrealistic status's 'fetishistic scopophillia'.
  • The gaze is constructed through the camera man and production team establishing and framing a shot; by the 'look' within the film of male characters objectifying female ones, the spectators gaze is thereby constructed through these mechanisms.
This theory is therefore supported by;
Suzanne Moore (1988)-'male bodies are only on display in certain conditions-always in active poses.'
Van Zoonen (1994)-'men look at women, women watched themselves being looked at.' 

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